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1924 Gibson F-5 “Lloyd Loar” mandolin

11 Jan

This week’s Antiques Roadshow (Tulsa, OK, Jan. 9th) featured a really interesting and rare instrument: A 1924 Gibson F-5 “Lloyd Loar” mandolin.  You could tell that appraiser Frederick Oster was excited to see the piece, and meticulously outlined everything that the young owner would ever want to know about it, finally valuing the mandolin at $175,000 (then you see the girl get excited, ha).

Watch the video at the Antiques Roadshow site, here.

Appraiser Frederick Oster with the Gibson F-5

GUEST: It was purchased by my great-grandfather during the Depression. He purchased it from, I believe, a neighbor who at the time needed some extra money, and he wanted his son, my grandfather, to learn how to play a musical instrument.

APPRAISER: Well, when you walked in with this, I saw the case, I went, “Oh, my God, I know what that is.” And I thought, “Can it be?” And I opened up the case and there it was, this wonderful Gibson F-5 mandolin. It’s the type of F-5 that’s very easy for us to identify the year from because I can tell that it’s what we call a Lloyd Loar model F-5 with this fern inlay in the peghead.

GUEST: Okay.

APPRAISER: Lloyd Loar was an acoustic engineer and great mandolin virtuoso who worked at the Gibson company back in the ’10s and ’20s. And he really was the father of the modern mandolin. And what he did to make the mandolin what it is today is… he did various things to it like internally, it has parallel tone bars.

GUEST: Okay.

APPRAISER: It has an elevated fingerboard, elevated over the body. It has two F holes, like a violin, and actually, similar to a violin, it has the bridge positioned around the center of the body, around the center of the arch. And it is arched like a violin and tap toned, meaning internally tuned. The thicknesses of the plates inside are tuned like a violin.

GUEST: Okay.

APPRAISER: And Loar was the first guy to do this to a mandolin. It also has a longer playing length of the neck. It has 15 frets to the body. Earlier mandolins had shorter necks. Gibson had been making these F-style mandolins from the turn of the century on, but this innovation in mandolin making was something that Loar excelled in, and this became basically the prototype style for all mandolins to come. Loar also developed this nice little, neat screw-in Pickard clip, which was a lot neater than the earlier ones. It has inside the Gibson label with serial number, as well… and the other side, it’s got the master model label. Now, this was the professional, master-grade mandolin that Gibson put out late 1922 and onwards. And these early ones, the ones made while Loar was at the factory from late 1922 through 1924, we call them Lloyd Loar model F-5s. This has the most beautiful what they call Cremona brown sunburst color to it. If I had to grade it in Gibson mandolins, or Lloyd Loar mandolins, I’d probably put it in the top ten percent of the ones I’ve seen.


APPRAISER: When did he buy it again?

GUEST: During the Great Depression. From what I understand, he paid $20 for it, and at the time, you know, it was estimated probably around $600 is what I’m told.

APPRAISER: Right, that being said, I would say these days, a correct asking price through a dealer in a shop would be about $175,000.

GUEST: Oh, my gosh! (laughs) Wow! It’s been in a closet in a farmhouse for many, many years.

See/hear one of these beauties in action:


“The Apple Boogie”

8 Jan

In 1987, Apple released its own music album: The Apple Boogie.

The tape, featuring 8 examples of upbeat 80’s goodness, was created to hand out at Apple sales conferences.

Lucky for us, The Apple Boogie was converted to MP3 over six years ago, in the age of dial-up, and uploaded to an Apple-centric website in South Africa. All eight tracks are listed, available for download, complete with covers and lyrics.

Bonus find: Apple’s old theme song “Apple.Power.Passion”

(via thenextweb)

While Bieber and Cee Lo were attacking Beatles songs on live television…

7 Jan

…Alice Cooper, Weird Al Yankovic and Steven Tyler were singing the karaoke rendition of performing (umm, OK self, nice job)  “Come Together” at Mala Restaurant in Maui on New Year’s Eve.

(via fark)

The Smiths — “This Charming Man”

16 Dec

buy this (if you’ve got money to burn): John Baldessari “Person With Guitar”

6 Dec

Person With Guitar (Red), 2004 — John Baldessari
3-layer, 5-color screenprint construction (mounted to Sintra and hand cut)

framed: 35″ x 41″ x 3″ (165.1 x
104.1 x 7.6 cm)
edition of 4

Buy It Now price of $22,800 (or “Make An Offer”) on eBay, plus $500 shipping.

Vasquez Sounds — “Rolling In The Deep”

20 Nov

Angie (vocals, 10), Gustavo (drums, 13) and Abelardo (guitar, 15) Vasquez, better known as Vasquez Sounds, cover Adele’s “Rolling In The Deep”  in a post I’d like to call, “Preteens Who Are Better At Music Than I Will Probably Ever Be”.  Holy moly.

(via trendhunter)


Russell Simmons proposes Constitutional amendment at Occupy Boston [@wearethe99prcnt]

15 Nov

Following this morning’s raid on Occupy Wall Street’s home, Zuccotti Park in NYC, Def-Jam co-founder Russell Simmons called an emergency press conference today at the Occupy Boston site in Dewey Square, notifying protestors of his arrival with an earlier tweet.

To a crowd of about 200, he announced that he is presenting and backing proposed legislation that would require public funding for all candidates for federal office, an amendment written by a senior member of Congress (who will remain unnamed until a Republican co-sponsor is found).

Simmons speaks to press, but not before switching out his Yankees hat for a Red Sox one, given to him by a protestor

“All the things that ill effect the 99 percent are in some way connected to corporations getting priority over people. I’m not saying capitalism is bad, [that] corporations shouldn’t sit around and conspire on how to take the money out of people’s pockets — they should do that, that’s their job, turn a profit to their investors, but it should not be a job to pay off politicians. That is the core of demands of all of the occupations.”

The music mogul has been vocal throughout the Occupy protests, urging citizens through “hip-pop” site Global Grind, as well as his Twitter feed to “support the 99%” and “make our voices heard”.

(via The Hollywood Reporter and Global Grind)